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I hear too many local Djs, who love to play well known hits, trends and beatport charts (which might also be a global problem), although sometimes it fits well in the set and there’s nothing wrong in playing a good old track here and there but too much of it really turns me off. I really believe a dj should have his own agenda and some

2B Continued Podcast 35 – Daniela Orvin

I believe that it’s important to be aware of many variables in order to relate to the crowd you’re playing for and address them. There must be endless ways to do that, and doing so is the magic and art of playing live. I play music which I would have enjoyed listening to and that is suits the situation. It happens not to be quite

2B Continued Podcast 30 – Moshic

One was going abroad in the late 80′s and visiting some of the main music scenes around the world like New York, Netherlands and Ibiza. There, for the first time, I was familiarized with the main clubs that led the scene. I discovered the importance of the DJ’s role and presence in front of the audience and I brought it to Israel.

Nightlife in Medellin is great. Medellin’s electronic scene has grown up a lot the last ten years. However, some promoters are constantly booking the same artists again and again, so it’s like a loop that never changes. As a result, the audience always gets to see the same Djs, which makes us wonder WHY and it is very frustrating

He started DJing soon thereafter. Moves between Chicago and Detroit followed, and included a three-year stint at Gramaphone Records, a Chicago institution where the likes of Derrick Carter and DJ Heather cut their teeth. Like Surgeon and Rob Hall before him, Israel’s approach to DJing is all-inclusive,